Controlling Interactive Music Performance (CIM)
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Author(s)
Brown, Andrew
Gifford, Toby
Year published
2013
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Controlling Interactive Music (CIM) is an interactive music system for human-computer duets. Designed as a creativity support system it explores the metaphor of human-machine symbiosis, where the phenomeno- logical experience of interacting with CIM has both a degree of instrumentality and a sense of partner- ship. Building on Pachet's (2006) notion of reflexiv- ity, Young's (2009) explorations of conversational in- teraction protocols, and Whalley's (2012) experiments in networked human-computer music interaction, as well as our own previous work in interactive music systems (Gifford & Brown 2011), CIM applies an ac- ...
View more >Controlling Interactive Music (CIM) is an interactive music system for human-computer duets. Designed as a creativity support system it explores the metaphor of human-machine symbiosis, where the phenomeno- logical experience of interacting with CIM has both a degree of instrumentality and a sense of partner- ship. Building on Pachet's (2006) notion of reflexiv- ity, Young's (2009) explorations of conversational in- teraction protocols, and Whalley's (2012) experiments in networked human-computer music interaction, as well as our own previous work in interactive music systems (Gifford & Brown 2011), CIM applies an ac- tivity/relationality/prominence based model of musical duet interaction. Evaluation of the system from both audience and performer perspectives yielded consen- sus views that interacting with CIM evokes a sense of agency, stimulates creativity, and is engaging.
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View more >Controlling Interactive Music (CIM) is an interactive music system for human-computer duets. Designed as a creativity support system it explores the metaphor of human-machine symbiosis, where the phenomeno- logical experience of interacting with CIM has both a degree of instrumentality and a sense of partner- ship. Building on Pachet's (2006) notion of reflexiv- ity, Young's (2009) explorations of conversational in- teraction protocols, and Whalley's (2012) experiments in networked human-computer music interaction, as well as our own previous work in interactive music systems (Gifford & Brown 2011), CIM applies an ac- tivity/relationality/prominence based model of musical duet interaction. Evaluation of the system from both audience and performer perspectives yielded consen- sus views that interacting with CIM evokes a sense of agency, stimulates creativity, and is engaging.
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Conference Title
Proceedings of the Fourth International Conference on Computational Creativity
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Copyright Statement
© 2013 Association for Computational Creativity. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the conference's website for access to the definitive, published version.
Subject
Music Performance